Anyway, now the risk of sounding contradictory, the trumpet (for example) on my low end mid range work station has a flaw in its sound. I am wondering if this is normal in high end models as well; being that it is a computerised sound and not natural from the mouth blowing. So if you hold down a note over 3 or 4 beats to the bar or even over 2 whole bars or more you get a wave effect. Like WAAH, WAAH, WAAH, WAAH (over 4 beats in 4/4 time) and on higher octave it is more like WA,WA, WA, WA, WA,WA, WA, WA. (over 4 beats in 4/4 time). I have heard this on Casio and as well Yamaha.
What it all boils down to in a modern ROMpler keyboard is how much did the manufacturer spend on CPU's and ROM and RAM when they built it.
For sustainable sounds like horns and flutes they have to loop the sample in order to make it play like the real thing.
Some of it involves compression tricks and careful choices of the loop points to try an achieve a smooth and homogenous sound. There's other factors as well like multi sampling and resonance and FX processing to try and smooth things out.
But in the final reckoning, it boils to to how large are the samples, how long do they run, and how much compression and CPU power and RAM/ROM did they throw at it?
Most manufacturers bend over backward devoting as much power as they possibly can to the piano sounds simply because those are the benchmark by which most reviews live or die.
Kurzweil became famous a few years back for introducing their Triple Strike pianos into their keyboards. Then Casio and everyone else jumped on the Triple Strike bandwagon and upped it with their AIR synthesis technology. Likewise Roland created their Super Natural synthesis to create some very credible acoustic sounds.
Today Kurzweil introduced the German Piano samples on their Forte and Artis and PC3A models which use a 4 gig sample ROM.
The point is, that none of these technologies comes even close to approaching the capabilities of some of the modern VSTi instruments which can literally use GIGs of ram for every sample.
Final word is, the more you spend on a keyboard and the more RAM and ROM it has, the better it will sound in a performance, but if you compare even the bottom end consumer models with some of the best instruments available 40 years ago, I'd have to say "learn to live with it."
Compared to some of the horrifying instruments used throughout classical history Mozart or Beethoven would have given their left nuts to play on a modern CTK or PSR no questions asked
Gary