We are learning some throwaway Celtic type tunes for St Paddys day show. Also working on Come On Eileen which is a bit of a beast. Last part I learned on keys was the bassline for Holiday - leaving the bass player to play cowbell LOL!
COME ON EILEEN!
...hate that song. Played it twice a week for the last 3 years.
But yes, it’s a total beast, especially if you play both the piano and violin parts at the same time. But it was the audition song for the band I play in, and I couldn’t think of a better audition tune:
A) can you play lead and chords in totally different patches and rhythms at the same time (fast syncopated piano vs totally straight fiddle)?
B) are you willing to play really terrible material?
For St Paddy’s we’re having a fiddle player join us so all I have to worry about is piano. Ironically, I’m finding it very hard to just play the piano part after so many hundred times playing both lines.
Someday when I finally integrate my Seaboard into my working setup, I’ll play the fiddle part on that, which will be a total nightmare but it’ll sound good.